If you`re eager to start your documentary project, it`s hard to focus on legal and copyright issues. When people from developing countries are involved, it is even more important to convey this understanding, ensure transparency and protect people`s rights. This is important because the people filmed expose their lives to a stranger and are therefore extremely vulnerable. Moreover, in developing countries, this power imbalance is often exacerbated by differences in economic power between filmmaker and subject. „When filmmakers thought about their subjects, they usually described a relationship in which the filmmaker had more social and sometimes economic power than the subject. (9) Given this power imbalance, it is important for filmmakers to inform their protagonists about how they are portrayed and it is important that they treat them with respect. When making a film, there are many possibilities and options for filmmakers. Filmmakers need to determine which clips to capture, who to film, and how to represent the film`s participants. Therefore, it is important for filmmakers to understand the impact of their decisions. Filmmakers must strive not to harm the people they film, and they must strive to portray them in the best possible way or inform them about how they are presented. While filmmakers typically create a film to represent a point of view, they shouldn`t use a voice or perspective to portray an entire community or issue. Do you need consent for people in the background? Question: When you make a documentary, you are always filming people in the background. In the street, in a school, at the market.
are these hundreds of . Copyright Question: Filming with Live Music in the Background Question: If you shoot a documentary at a film festival where live music is played in the background, the copyright issues for live movies are the same. In addition to the release of certain elements of your film, there are other legal issues that you need to be aware of. To avoid especially in the script: Remote Helicopter Cam I am a student doing an exchange in London. I filmed a lot of what I did, with consent forms and so on. I have a remote control. Can a documentary filmmaker distribute a film with me without my written consent? Question: I recently participated in the filming of a documentary. In fact, I was the main topic. Throughout the process, filmmakers have a . This means having documented evidence that you have the right to use any element of the film – either proof that certain content is freely available, or a letter confirming permission. Make sure you get them during filming (for example, when filming interview segments in a documentary) and don`t try to come back to them at the end.
If you`re filming in a restaurant or business and music is playing on the speakers, be aware that if you`re using it in your movie, you`ll need permission. If music isn`t important, it`s best to turn it off while recording or just edit it from your movie. The same applies if you are sitting in a car and the radio is on while you are filming. Gender can often be an issue that is ignored and almost overlooked by the media when it comes to restrictions. Indeed, casual sexism, often through stereotypes, is exceptionally common in society. However, this does not mean that it should be allowed. This could include films or shows that portray women in stereotypical roles such as housekeepers and housewives, or that are shown to be less physically capable than men and therefore perform menial tasks. This can also be the case in men, but is much less common in the media. Not surprisingly, however, many people find gender discrimination offensive and unpleasant in both directions. Fortunately, great strides have been made in recent years to challenge these gender stereotypes in film and television, allowing these issues to become less prevalent in modern media. Copyright is a double-edged sword because, while it protects you as the director of the film by ensuring that you can decide who sees it and copies it, it also protects the creators of the elements you use in the film. (8) Aufderheide, P., Jaszi, P., and Chandra, M.
`Ehrliche Wahrheiten: Dokumentarfilmer über ethische Herausforderungen in ihrer Arbeit`. bit.ly/2xnd6i9. Often, copyright issues are the last thing a filmmaker thinks about when making a documentary. But copyright should be the FIRST thing you think about when you plan your movie and start shooting. It could mean the difference between an audience watching your film or burying it forever in a legal mess to never see the light of day. In addition to avoiding harming those who star in a film, filmmakers should strive to make them aware of how they are portrayed in the film and how the film is used. „Ethics exist to govern group behavior in areas where strict and swift rules or laws are not enough. Should we tell someone we are filming that they are at risk of ridicule, or that there will be many who judge their behaviour negatively? What if Michael Moore told the people in Flint, Michigan, that he was interviewing Roger and Me that he could make them look stupid to make General Motors look even worse? All these questions point to the unintended effects that a documentary can have on those represented in it.
Ethical considerations aim to minimize harmful effects. (7) The example of Roger and I shows how films can be intentionally manipulative and how they can be potentially dangerous to a person`s reputation. Therefore, it is ethically imperative that filmed persons know how they are portrayed in a film and how it is used. Steven Ascher, filmmaker and founder of West City Films, confirms this ethical imperative by stating, „They let you be there as their lives unfold. And that comes with the responsibility of trying to anticipate how the public will see them, and sometimes protecting them if necessary. (8) Here`s a good article that might clarify this and help some people www.marklitwak.com/self-defense-for-filmmakers.html However, any film worth making requires a lot of planning and preparation, and that includes respecting all legal issues. All restrictions that are considered legal restrictions are simply restrictions and restrictions enforced by law. These are often enforced by laws or laws that specify the regulations that must be followed. These will often be things that are harmful, unjustly influential, or simply uncomfortable for the viewer. Although legal restrictions may also include matters such as copyright issues and do not constitute information that can be considered defamation or defamation. Therefore, filmmakers have a responsibility to protect actors and must strive not to harm them. Often, however, the protection of actors conflicts with the filmmakers` desire to create a compelling and authentic film.
„Since most filmmakers act as representatives of those filming them or the institution sponsoring them, rather than as members of the community, tensions often arise between the filmmaker`s desire to make a compelling film and the individual`s desire for their social rights and personal dignity to be respected.“ (2) It is therefore essential to find the right balance between creating an authentic and compelling film and protecting the rights of actors. If you intend to distribute or broadcast your film in any way, you must ensure that all aspects are legal. Copyright protects you, the filmmaker, in case someone tries to use your film without permission, but it also protects other creators to ensure that filmmakers like you don`t use their intellectual property.
